This design guide follows AS/NZS 4100:2020 Steel Structures and AS/NZS 1720:2010 Timber Structures.
Step 1. Select an Appropriate Truss Type
To start, identify the loading conditions imposed on the structure. This could include:
Dead loads
Live loads
Wind loads
Seismic loads
Temperature effects etc.
Select the appropriate truss based on the application and loading conditions. Check out some of the common truss types here. Depending on the intended application, trusses are generally made from timber or steel. Applications for truss roof design in residential construction usually involve timber.
An important rule of thumb used when sizing trusses is the span/height ratio. This ratio indicates the slenderness of the overall truss. Generally, for efficient structural performance the span/height ratio should be within the range 10-15.
General truss nomenclature
Step 2. Calculate Design Loads and Design Actions
Design Loads:
Calculate the design loads in accordance with AS/NZS 1170.1 and AS/NZS 1170.2 and use AS/NZS 1170.0 to determine your combination of actions (ULS and SLS).
For roof truss structures you will need to consider roof covering (e.g. tiles, metal sheeting) and the ceiling (e.g. plasterboard, suspended ceiling systems) for your superimposed dead load.
Steel trusses are typically made from hollow sections and/or angle sections for the diagonal members. Timber trusses are typically made from square or rectangular sections.
Step 4. Design the Truss Members
Since we know what design actions each of our truss members see, we know which we need to check for axial tension and which we need to check for axial compression.
Timber is strongest in compression parallel to the grain direction, compared to than tension. Its properties in the perpendicular to the grain direction are significantly lower.
Steel end plate truss bolted connection (image: ideCAD)
💡Let's talk about splices
In practice, the top chord and bottom chord may not be connected at the nodes!
For example, wood beams are usually manufactured with fixed dimensions. So, the top and bottom chords usually need longer wood beams. It is best practise to pass the chords through the nodes and splice the members somewhere in the middle third of the member.
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